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Matthew Johnson's avatar

As always thanks for all the knowledge you continue to share. I still remember meeting you in 2010, you were teaching a class at CFC in Maine in the adjacent shop. I was able to observe the class throughout the two weeks I was there. We had a conversation about why you paint your furniture over lunch. I am literally that person who would have said “but the grain!” You very kindly and calmly explained your view and immediately changed my viewpoint on wood, finishing and woodworking, for the better.

Now on to my two cents on finishing. For the varnishing step, if you are still curious and willing to experiment, try out Le Tonkinois. You can find it at solventfreepaint.com. I have been messing around with it over the years and has been my go to when I want a varnish. More recently, I have been experimenting with Heron Paints linseed oils. I have been amazed at the build and sheen of the double boiled linseed oil. I still need to do more experimenting and durability testing, but so far applied thin and simply, it seems to fully cure in less than 24 hrs. Travis, owner of Heron Paint, has been very generous in sharing info. He washes and processes the linseed oil himself, and gets the raw cold pressed oil from farms here in the USA. My limited time messing around with his various oils has genuinely changed my mind about linseed oil (which I had mostly abandoned).

Last note, if you have not tried Hassui Ceramic, you really should. It’s wild stuff. I have been using it on spoons and some other woodenware for about a year, and it still boggles my mind. Got to let the stuff cure for 20 days for woodenware, but it’s dry to the touch in hours. Jarrod and Jasmine sell it through their website: woodspirithandcraft.com

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Rob Collins's avatar

Thanks for the post Pete, much appreciated. My question: is there a reason why you wouldn't suggest the old default oil-varnish made of equal parts of boiled linseed oil, Minwax spar (or other resin varnish), and odourless mineral spirits?

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